Brief Portfolio of David’s Music

Site in Progress

Teaching

College & private:

  • Carleton College, Senior Lecturer, Northfield, MN

  • Macalester College, Saint Paul, MN

  • Private, Minneapolis, MN

Hearing Malady

  • Hyperacusis
    ––In 2003 David developed hyperacusis, so that sound causes pain. Caused by a lifetime of music, this then sharply curtailed all music activity for years. It has been a bit better recently and David has been able to function a bit more normally. In respect to sound anyway!

David’s Training Partial List

  • Shagird, “Emperor of Sitar” Ustad Vilayat Khan

  • Student for five years of “One of the Ten Best Horn Players of All Time,” New York Philharmonic Solo Horn, Philip Meyers

Sitar Performance

  • Partial List

  • Town Hall, New York

  • Palace of Fine Arts, San Francisco

  • Gandhi Center, Washington, DC

  • Harvard University, Boston

  • Omega Institute, Rhinebeck, NY

  • Metropolitan Museum of Art, New York City

  • O’Shaughnessy Auditorium, Saint Paul

  • Guthrie Theater, Minneapolis

  • Follen Church, Lexington, MA

  • Kansas City, Kansas

  • St. James Church, London, England

  • Cary Hall, Lexington, MA

  • Granada Theater, Santa Barbara

  • Jung Society, Philadelphia

  • New School, New York City

  • Guthrie Theater Company, Minneapolis

  • National Public Radio Talking Volumes

  • Scottish Rite Temple, San Francisco

  • Minnesota Public Radio (Interview)

  • Follen Church, Lexington, MA

Kabir with Robert Bly 1988

Horn Performance

From way back in another life in the 80s, partial list:

  • Town Hall, New York

  • Avery Fischer Hall, Lincoln Center, New York

  • Manhattan Savoyard Opera, New York

  • Cooper Union, New York

  • Latter Day Saints Stake Center, Amahl & the Night Visitors, New York City

  • Brooklyn Symphony, Brooklyn, New York

  • Greenwich Village Chamber Orchestra, New York

  • New York City Opera, New York

  • Bennington Chamber Music Festival of the East, Bennington, Vermont

  • Columbia University Orchestra, recorded live, Fly With Me, LP record of the only musical ever written by Rogers, Hart and Hammerstein, New York

Choir

  • Chorister, The Gregorian Singers (9-voice ensemble) – Cathedral of St. Mark, Minneapolis (1970s)

Current Music Projects

  • After a long hiatus due to several causes, I have begun to actively perform Sitar in public again, focusing on themed programs where I recite poetry as I play.

  • I am also preparing to stage Canticle: In Praise of the Divine Feminine. To help bring this project to life, a GoFundMe fundraising campaign will open on January 1st.

  • I am seeking performers for my chamber music.

Music Projects In the Works

  • White Nights as ballet for virtual orchestra, 70% completed

  • Orpheus & Eurydice, Chamber Opera, libretto finished, music 30% completed

Ragamala

  • In Ragamala, commissioned by Art Historian Walter Spink in 1986, David perhaps for the first time combined the poetry and art of the ancient Indian form, Ragamala, with their respective Ragas. Presented at the India Cultural Center of Baltimore in 1987.

Production: Ragamala Poetry In Motion

  • Art-directed and presented Ragamala: Poetry in Motion in Minneapolis, a version of the original utilizing projected paintings of the Ragamalas with the personified figures removed. This framework enabled the traditional art form to come to life through the integration of the ancient Ragamala poetry—narrated by David as he played the sitar—alongside tabla percussion and Bharatanatyam dance by Ranee Ramaswamy.

Founded Ragamala Music & Dance Theater

  • Founded in 1992 with Ramaswamy, RMDT presented Ragamala at sixty locations throughout the United States and Canada. India’s Ambassador to the United States, Siddhartha Shankar Ray, attended Ragamala: Poetry in Motionand noted that the production was the finest art of India he had ever seen presented in the United States.

    Further creations followed, featuring Indian instrumentation and original stories, such as The Puppet Master, and, Spring, for narration and Indian instrumentation. This repertoire led to Canticle of Mary, a "dance opera" with an original libretto combining ancient material with Whetstone’s own lyrics. Scored for SATB soloists, chorus, and virtual orchestra, the presentation was staged with a sixteen-person chorus in the pit, nine dancers on stage, and large painted silk drops for the setting. This was followed by Ashoka, Beloved of the Gods, a drama featuring Whetstone’s original story and libretto set in ancient India, which utilized sixteen opera singers and twelve dancers on stage.

Upcoming Performances

  • Boston in November:
    November 12th, 2026 in Boston, The Other Side of Air, A Celebration in Poetry & Music of the Poetry of Rainer Maria Rilke, Sitar with poet & translator Mark Burrows, Follen Church, Lexington, MA

  • Saint Paul, Macalester College Chapel
    Date to be determined, sometime this fall

  • Northfield, Minnesota, Carleton College Chapel
    Date to be determined, sometime this fall

Performances with Poets, Authors, and Tabla, partial list:

  • Sitar with poet Jane Hirshfield, First Parish Church, Cambridge, MA

  • Sitar with author Mirabai Starr, Boston, MA

  • Sitar with poet Li-Young Lee, East Carolina University, North Carolina

  • Sitar with theologian Matthew Fox, Boston, MA

  • Sitar with Pandit Shantilal Shah, tabla, streamed by Lexington, MA Community Education

  • Vidyapati: The Season of Love & Honey, Carleton College

  • Kabir: Rivers of Light, Sitar & Poetry, Macalester College

  • Vidyapati: The Season of Love & Honey, streamed by Lexington, MA Community Education

Western Compositions Performed

‍ ‍partial list

  • Opera
    White Nights (opera excerpts)
    performed live on Minnesota Public Radio by the Rochester Symphony & Chorus

  • Ashoka(dance opera) recorded vocalists, virtual orchestra, & bharatanatyam dance, O’Shaughnessy, Saint Paul, MN

  • Chorus & Orchestra
    Canticle‍ ‍(chorus & orchestra) Live vocalists, virtual orchestra & bharatanatyam dance, O’Shaughnessy, Saint Paul, MN

  • Chamber Music
    Triumph of Truth & Time‍ ‍
    Trumpet & organ, University of Minnesota Trumpet Ensemble, Basilica of St. Mary, Minneapolis, MN

The Triumph of Truth & Time

Sitar of Note

  • David’s sitar was for many years featured in the music introduction of Minnesota Public Radio’s World News Program, which distributed international news blocks from the BBC and CBC to public radio stations across the United States.

  • On the occasion of Ravi Shankar’s passing, NPR called David to interview him about sitar in the United States.

  • David’s endorsement of Rikhi Ram sitars is listed by premier maker Rikhi Ram under “Blessings from Legends,” along with Pandit Ravi Shankar, Ustad Shujaat Khan, and others.

  • David was called upon by Ustad Vilayat Khansahib to file his sitar javari (overhaul instrument sound) prior to his concert in Carnegie Hall to celebrate the bicentennial of India’s Independence.

  • David had a unique life long collaboration with poet Robert Bly.

  • David also had a continual life long collaboration with Coleman Barks, whose versions of the ancient Persian poet Rumi were for two decades the best selling poetry in the United States and influential throughout the world, selling over a million and a half copies.

  • David has experimented with other well known poets and writers as well, such as Jane Hirshfield, Li-Young Lee, and Matthew Fox. And accompanied psychologist James Hillman in San Francisco as he recited WB Yeats’s Crazy Jane!

  • Building upon a lifetime of experience accompanying poets and reciting poetry while performing with his company, David has begun giving themed programs where he recites poetry himself as he plays the sitar. As far as is known, David is the only artist ever to have performed this dual feat.

  • The film, William Stafford and Robert Bly: A Literary Friendship (1994), was filmed in part in my apartment. Robert called at 6am out of the blue and said, “There’s a film crew here, and Ruth won’t let them in the house. Can we come over?” A van and a film crew of three showed up and ran large cables through the front door up to my apartment. They covered the windows in black paper, knocked over my plants, and had a huge camera. William and Robert came, and Robert figured that as long as they were in my place, may as well have the sitar and tabla with the poems! Marcus Wise was called, and he came over. Robert and William recited together, and we accompanied. It was then cut out of the film. I remember William noticed my shelf of Nietzsche, and seemed interested and my impression was, that he may have liked Nietzsche. At one point they blew the power out for the entire building, and I had to call the landlord to get the power going again. In the film they did include footage that was filmed here. That’s my radiator in the film! The film has been broadcast on Public Television throughout the country many times.

Recent Sitar & Poetry Programs

Performances the Past Few Years

Purchase recordings of David’s Sitar with poets

Robert Bly & Coleman Barks

Rumi Voice of Longing

In the seven centuries since the death of Jelaluddin Rumi in 1273, the world has come to know and thrill to his sacred poetry. In concert with David Whetstone, sitar, and Marcus Wise, tabla, his writing is part of a religious tradition that is believed to excite "spiritual heroism," embracing the holiness of love, lamentation, battle, and the longing for God. Rumi: Voice of Longing collects nearly 100 of Rumi's most memorable quatrains, presented here for the first time on two superbly remastered CD recordings. Includes a special appearance by renowned poet Robert Bly.

Translated and performed by the Rumi scholar Coleman Barks, these works echo with a spiritual complexity that defies their outward simplicity. As Sufism acknowledges the truth of other religions, so does Rumi's poetry reflect universal themes: the search for the highest truth, the mystery of surrender, the longing to overcome ego imprisonment. Rumi: Voice of Longing captures the silence, the love, and the playfulness that make each experience with this work one of sacred wonder.